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First up, there's Harrison Ford, who still manages to bring the same swaggering charm that made him such an iconic character as Han Solo. Then there's the cute but reliable BB-8, the best thing after R2-D2, and of course, no "Star Wars" movie would be complete without a mention of the recurring characters. That includes John Boyega, Oscar Isaac and newcomer Daisy Ridley (especially), where each of them deliver robust performances. While the effects are spectacular, thankfully, the introduction of the new characters are well planned out and are bound to be fan favourites. So that's another thing checked off on our list. The iconic theme is also no letdown here as John Williams' score brings the same rousing music quality as always to the "Star Wars" movies. While Abrams has certainly gone all out in the action department where there are the expected lightsaber duels, but it was the numerous well-choreographed 'dogfight' scenes that excelled the most, thanks to the great swooping camerawork. The result is a visually stunning movie that is best experienced on the big screen. Those who were previously put off by George Lucas' CGI overload in the prequel trilogy can now breathe a sigh of relief, since Abrams and his technical crew are wise enough to blend old-school practical effects with state-of-the-art digital trickery. Abrams had successfully resurrected the "Star Trek" franchise for today's generation with the 2009 reboot, this reviewer is happy to say that the director has done it again! Cut to the present day, "Star Wars: The Force Awakens" has finally arrived and this reviewer is trying his best to keep the review as SPOILER-FREE as possible, so here goes. Ten years after the mixed reception of the "Star Wars" prequel trilogy (1999-2005) and thirty-two years after the beloved original trilogy (1977-1983) (yes, this reviewer is excluding the 1997 Special Edition trilogy version), the live-action "Star Wars" saga finally returns to the big screen.Įver since Disney has taken over the franchise three years ago and announced a brand-new "Star Wars" movie shortly after, anticipation has been mounting high to a feverish peak. After watching them for many hours, he suddenly couldn’t spare another minute to make sure? It’s a hilarious moment in a film which is otherwise a thought-provoking and profoundly unsettling watch.Watch this if you liked: The “Star Wars” original and prequel trilogies. Shyamalan’s own character, tasked with monitoring the beach’s victims from afar, decides to pack up his equipment and leave when the last two people dipped underwater for just a couple of minutes – apparently deciding that no-one could possibly survive that long. It’s a small shame, therefore, that the film’s ending hinged on one of the most bizarre plot contrivances in recent years. M Night Shyamalan’s 2021 sci-fi drama, about a beach that makes people age rapidly, was twisty, fun and original. The idea that the experience wouldn’t have a greater effect on a young life is, frankly, absurd, and jars with much of what the rest of the film is trying to say. There were lapses, however, such as the moment when Kutcher’s character goes back in time to stab his childhood self through the hands – which led him to the exact same adult circumstance, only with hand scars. This poorly received thriller starring Ashton Kutcher was pretty solid in its understanding of the butterfly effect at points, showing how small changes to a moment in time can have far-reaching consequences. Not only does this raise a whole lot of questions about the circumstances leading to the curse, it also directly contradicts the portrait we see of the beast back when he was a human, and very much looking like an adult.
Star wars the force awakens movie times time square full#
And yet, one of the songs suggests that he has been living as a beast for a full decade, meaning he was cursed back when he was still a pre-teen.
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The titular beast in this classic Disney cartoon is shown to be on the cusp of his 21st birthday that is when the spell becomes permanent. The only problem? There was no-one around to hear him say it. The word becomes a riddle which newspapermen scramble to decode. As Charles Foster Kane perishes alone in his bedroom, he utters the enigmatic word: “Rosebud”. But the fact remains that for the everyday viewer this was a head-scratchingly simple solution that everyone on screen ignored.Įven a film as immortally great as Citizen Kane has its foibles – and the iconic opening scene is one such. But the scene left many viewers asking the question: why couldn’t the Eagles have simply given everyone a lift to Mordor in the first place? The apparent plot hole has spawned endless debates among Middle Earth fanatics, with counter-arguments digging deep into eagle lore to disprove its merits. Towards the end of Peter Jackson’s nearly 10-hour fantasy trilogy, there comes an almighty deus ex machina, as the forces of good are saved by the arrival of the Great Eagles. Lord of the Rings: The Return of the King